Producing Beats

Production Category

Parallel Gating
Before I began writing this post I did a quick search on Google for Parallel Gating, to see what other sort of articles were already out there for it and came up with next to nothing, I found this a little strange as I have found it a great little technique to know which was taught to me on a studio course I went on a long time ago and yet seems to be talked about very little.

New York Parallel Compression
The compressor can be one of the more difficult effects to get your head round using effectively, today I am going to show how to use it to make your beats sound noticeably louder using parallel compression, which is great for harder sounding genres of music. Firstly it is probably best to show you what the original beat sounded like before any compression is applied.

vinyl record
Recently I've been working on some tracks to be released later this year which have a Old Skool vibe to them, one of the things I wanted to do with one of the tracks was to make it sound like it is being played on traditional vinyl by having a record needle put down at the start and then bring in the crackles, hum and sound just like a record. One way to do this is to actually put it on vinyl and then rerecord it, but that's just too hard, costs money and has uncontrollable results. Thankfully it wasn't too hard to do and we show you below how I managed to do this.

Here's a quick example of the intro of the track to give you an idea of what you could create using this technique.

A good track usually has a nice clear sound down in those bass frequencies which doesn't sound muffled. Many mixes from beginner producers struggle to get a great sounding mix and complain of a muffled sounding mix in the lower frequencies. Usually the cause is that too many instruments are competing for the space within the bass.

A commonly used technique to leave room in this area is to use some low cutting of EQ or a high pass filter on certain problem instruments. For example, imagine we have a bass guitar and a standard electric guitar. When both are playing together, the electric guitar will still be producing some frequencies down in the range where our bass should sit. Applying a high pass filter (cutting out the low frequencies) on the electric guitar can remove these often unnecessary frequencies that the electric guitar is producing and thus allowing the bass guitar to push through much clearer.